Shooting Star Video Panasonic AJ-HDX900
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Arri Alura 18-80mm T2.6 PL-mount Cine zoom
    

Panasonic AF100 large sensor HD video camera with Cinematic shallow depth of field using a single CMOS sensor that is four times as large as a 2/3" sensor.  Most 35mm SLR and PL-mount Cine lenses can be used for maximum creativity and flexibility.  Full raster HD recording with variable frame rates up to 1080/60P over 24P or 30P for fast and slow motion.  AF100 combines large sensor imagery in with true video camera features such as clean HD monitoring outputs via HD SDI and HDMI, built-in ND filters, XLR audio inputs with manual audio control, time code, long record times using dual SD card slots, full menu control of image parameters, articulated HD LCD with waveform, vector, zebra, and red peaking.

• PDF Manual

Lens Mout (1) PL
Focal Length Wide 18
Focal Length Long 80
Focal Length Ratio 4,4
Aperture T2.6 - T22
Close Focus (2) 0.7 m / 2‘4“
Magnification Ratio (3) 1 : 5.5
Length (4) 285 mm / 11.2“
Front Diameter (5) 134 mm / 5.3“
Maximum Housing Diameter 134 mm / 5.3“
Weight 4.7Kg / 10.4lb
Entrance Pupil (6)

at 18 mm        "264.0 mm / 10.4"""
at 50 mm        "231.6 mm / 9.1"""
at 80 mm        "213.9 mm / 8.4"""

Angle of View H - V - D  
Normal 35 (8)  
ID = 27.20 mm (7)  
  at 18 mm        62.8° - 48.0° - 74.1°
at 50 mm        24.8° - 18.2° - 30.4°
at 80 mm        15.6° - 11.4° - 19.3
Angle of View H - V - D  
ALEXA/D-21 HD (9)  
ID = 27.26 mm (7) at 18 mm        66.8° - 40.7° - 74.3°
at 50 mm        26.7° - 15.2° - 30.5°
at 80 mm        16.9° - 9.5° - 19.3°
Angle of View H - V - D  
ALEXA 2K (10)  
ID = 29.08 mm (7) at 18 mm        70.3° - 43.2° - 77.9°
at 50 mm        28.4° - 16.2° - 32.4°
at 80 mm        18.0° - 10.2° - 20.6°
Angle of View H - V - D  
DIN Super 35 (11)  
ID = 30.00 mm (7) at 18 mm        67.4° - 53.1° - 79.6°
at 50 mm        27.0° - 20.4° - 33.4°
at 80 mm        17.1° - 12.8° - 21.2°
Operation Temperature: -10°C to +50°C / +14°F to +122°F
Storage/Transport Temperature: -20C to +60°C / -4°F to +140°F

(1) Positive locking 54 mm stainless steel lens mount
(2) Close focus is measured from the film/sensor plane
(3) Magnification ratio is the relationship of the size of an object on the film/sensor plane (first number) to the size of that object in real life (second number) at the close focus and the telephoto zoom setting
(4) Length is measured from the lens mount to the front of the lens housing
(5) Diameter of the lens/matte box interface
(6) The distance from the entrance pupil to the film/sensor plane. Positive numbers indicated an entrance pupil in front, negative numbers indicated an entrance pupil behind the film/sensor plane. The entrance pupil (often mistakenly called "nodal point") is the center of perspective; moving the camera/lens system around the center of the entrance pupil prevents parallax errors. While largerly irrelevant for live action, this measurement is important for special effects work.
(7) The image diameter (ID) is the diameter of the image circle needed for the respective format.
(8) Horizontal (H), vertical (V) and diagonal (D) angles of view for a Normal 35 Academy camera aperture
(aspect ratio 1.37:1, dimensions 22 mm x 16 mm / 0.866" x 0.630")
(9) Horizontal (H), vertical (V) and diagonal (D) angles of view for the ALEXA/D-21 HD camera aperture
(aspect ratio 1.78:1, 2880 x 1620 sensor pixels, dimensions 23.76 mm x 13.37mm / 0.935" x 0.526")
(10) Horizontal (H), vertical (V) and diagonal (D) angles of view for the ALEXA 2K camera aperture
(aspect ratio 1.78:1, 3072 x 1728 sensor pixels, dimensions 25.34 mm x 14.26 mm / 0.998" x 0.561")
(11) Horizontal (H), vertical (V) and diagonal (D) angles of view for a DIN Super 35 Silent camera aperture (aspect ratio 1.33:1, dimensions 24 mm x 18 mm / 0.944" x 0.709")
   

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